Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
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Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Very beautiful brick red, with an underlying shade of orange-yellow.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Dark and warm brown. Interesting color for dark your shades.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Very beautiful earthy green and mono pigment.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Rose légèrement nacréÂ
Rose navré et légèrement orange
Vert Sapin
PG36 + PY165
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent bright green with an underlying shade of yellow.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Singular and grainy green color.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.