Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
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Very beautiful brick red, with an underlying shade of orange-yellow.
Beautiful subtle very light gray for light shadows and drapes.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Very beautiful earthy green and mono pigment.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Rose légèrement nacréÂ
Rose navré et légèrement orange
Vert Sapin
PG36 + PY165
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent bright green with an underlying shade of yellow.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Very beautiful dark red tending to burgundy.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
This red has a great purity of tone. It draws very slightly on the yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Singular and grainy green color.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.