Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
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Very beautiful brick red, with an underlying shade of orange-yellow.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Very interesting Color to create "pastel" touch by mixing with other colors.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Very beautiful earthy green and mono pigment.
A very soft, slightly pastel yellow.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Vert Sapin
PG36 + PY165
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent bright green with an underlying shade of yellow.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Warm and bright yellow, very beautiful in wash for example.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
You can add light Isaro yellow to a range of Indian yellow.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Singular and grainy green color.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright yellow with great purity of tone.
Very beautiful dark red tending to burgundy.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
This red has a great purity of tone. It draws very slightly on the yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.