Very beautiful yellow, earthy and bright. Very useful on the palette.
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Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
Beautiful subtle very light gray for light shadows and drapes.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Dark and warm brown. Interesting color for dark your shades.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
A very soft, slightly pastel yellow.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Rose légèrement nacréÂ
Rose navré et légèrement orange
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Warm and bright yellow, very beautiful in wash for example.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright yellow with great purity of tone.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.