Very beautiful yellow, earthy and bright. Very useful on the palette.
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Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Very beautiful brick red, with an underlying shade of orange-yellow.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
A very soft, slightly pastel yellow.
Very beautiful earthy green and mono pigment.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Rose légèrement nacréÂ
Rose navré et légèrement orange
Vert Sapin
PG36 + PY165
Warm and bright yellow, very beautiful in wash for example.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
You can add light Isaro yellow to a range of Indian yellow.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Magnificent bright green with an underlying shade of yellow.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Bright yellow with great purity of tone.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.