Very beautiful yellow, earthy and bright. Very useful on the palette.
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This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Close shade of natural indigo.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
A very soft, slightly pastel yellow.
Rose légèrement nacréÂ
Rose navré et légèrement orange
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
You can add light Isaro yellow to a range of Indian yellow.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Warm and bright yellow, very beautiful in wash for example.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Gorgeous unique shade of gray blue.
Bright yellow with great purity of tone.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.