Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
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Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Very interesting Color to create "pastel" touch by mixing with other colors.
Gorgeous unique shade of gray blue.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
Earthy orange but nevertheless bright.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Beautiful subtle very light gray for light shadows and drapes.
Close shade of natural indigo.
Very beautiful brick red, with an underlying shade of orange-yellow.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
This red has a great purity of tone. It draws very slightly on the yellow.
Very beautiful dark red tending to burgundy.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.