Very beautiful yellow, earthy and bright. Very useful on the palette.
Active filters
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Vert Sapin
PG36 + PY165
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Magnificent bright green with an underlying shade of yellow.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Rose légèrement nacréÂ
Very nice cold, deep gray, turning blue. Useful as a contrast color.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Singular and grainy green color.
A very soft, slightly pastel yellow.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Beautiful subtle very light gray for light shadows and drapes.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Warm and bright yellow, very beautiful in wash for example.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful earthy green and mono pigment.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Bright yellow with great purity of tone.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Dark and warm brown. Interesting color for dark your shades.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Rose navré et légèrement orange