Very beautiful yellow, earthy and bright. Very useful on the palette.
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A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Turquoise légèrement irisé
Very interesting Color to create "pastel" touch by mixing with other colors.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
Gorgeous unique shade of gray blue.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Rose légèrement nacréÂ
Very nice cold, deep gray, turning blue. Useful as a contrast color.
A very soft, slightly pastel yellow.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Beautiful subtle very light gray for light shadows and drapes.
Close shade of natural indigo.
Warm and bright yellow, very beautiful in wash for example.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Golden color, to be used for certain highlights.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Bright yellow with great purity of tone.