Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
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Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Very beautiful earthy green and mono pigment.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
Close shade of natural indigo.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Beautiful subtle very light gray for light shadows and drapes.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Gorgeous unique shade of gray blue.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.