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Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Magnificent bright green with an underlying shade of yellow.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Vert Sapin
PG36 + PY165
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Turquoise légèrement irisé
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
