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This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
Turquoise légèrement irisé
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Very beautiful yellow, earthy and bright. Very useful on the palette.
