It's a basic earthy yellow, ideal for glazes but covers well.
A beautifull warm brown with a yellowish undertone
A rich and earthy burnt orange.
A reddish brown more Opaque and intense than the burnt umber
A intense cold brown with a violet shade.
A rich and earthy burnt orange
A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.
A deep cool blue black.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This blue is a mixture of 3 pigments. Very useful for painting marine
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
A splendid blue with a rich purple blue undertone.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.Â
It's a beautifull green useful in producing glazes when diluted.
Pinkish yellow, very close to Naples yellow.Â
Perfect for skin tones.
It's a deep brownish green.
A beautifull an luminous blue.
This vivid and strong bluish greens a good staple green to produce a large range of greens.
It's a cool transparency withe. It's excellent for mixtures and glazes
Pinkish yellow, very close to Naples yellow. Perfect for skin tones.
It's a very pure cool soft white. It's highly regarded by artists.
A dark red brown, very beautifull for glazings.
It's a strong neutral black.
It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.
A deep violet with a touch of red
This violet is the mixture of three pigments to created a unique shade of violet
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.