Cerulean Blue

PB35 – Semi-opaque

Cerulean blue is a cool, luminous mineral pigment with a slight greenish undertone. Highly valued for painting clear skies and bright atmospheres, it offers excellent lightfastness and moderate covering power. Stable and unobtrusive in mixtures, cerulean blue is a well-balanced hue, perfect for creating soft, airy harmonies.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Cadmium Orange

PO20 – Opaque

This is a warm, vibrant shade with beautiful tonal purity. Thanks to its rich pigmentation and exceptional brightness, this color brings depth and energy to your palette. Ideal for glazing or flat applications, this orange offers perfect opacity and outstanding long-term stability.

When mixed with titanium white, it reveals soft, warm nuances while maintaining its intensity.  This orange is very bright with a vibrant and very pure undertone.

Burnt Umber

PBr7 – Semi-opaque

Burnt umber is a natural pigment with deep brown tones enriched by a warm, slightly reddish hue. Highly covering, lightfast, and non-toxic, it is ideal for shadows, dark backgrounds, landscapes, and warm skin tones.
It has good drying power, making it an excellent choice for underpainting or quick sketching. It blends harmoniously with blues, greens, and reds to create natural and balanced mixtures.

Burnt Sienna

PBr7 – Semi-opaque

Burnt sienna is a natural pigment with warm, deep tones, obtained by calcining raw sienna.

With its rich reddish-brown hue, it brings warmth, balance, and strength to compositions. Highly stable, non-toxic, and with good covering power, it is ideal for shadows, dark skin tones, landscapes, and warm backgrounds. It blends harmoniously with blues, greens, and ochres. A timeless classic on every painter’s palette.deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Bayeux Violet Hue

PR122 + PR179 + PR19 – Transparent

Bayeux Violet Hue is a shade similar to the original Bayeux violet. It is a deep color, somewhere between a bluish violet and a soft, subdued purple. Inspired by the rich tones of antique embroidery, it evokes a sense of nobility. Transparent and high in tinting strength, it is well-suited to both subtle glazing and vibrant modeling.

Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Ancient White

PW4 + PY35 + PB29 – Opaque

Antique White is a soft, warm cream white created through a subtle blend of zinc white, cadmium yellow, and a touch of ultramarine blue. Its slightly ivory tone evokes the patinated whites of old master paintings. Less bright than a pure white, it allows for more natural blends—especially for skin tones, soft lighting, and warm atmospheres.