It's a cool transparency withe. It's excellent for mixtures and glazes

It's a basic earthy yellow, ideal for glazes but covers well.

A intense cold brown with a violet shade.

A splendid blue with a rich purple blue undertone.

This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.

It's a very pure cool soft white. It's highly regarded by artists.

A beautifull warm brown with a yellowish undertone

It's a beautifull green useful in producing glazes when diluted.

A beautifull and luminous red. More pinkish than the red cadmium light

A rich and earthy burnt orange

This natural iron oxide is a fine rather cold brown with a greenish undertone.

This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.

This splendid greenish blue is used to create very beautiful  range of greens.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

This vivid and strong bluish greens a good staple green to produce a large range of greens.

A dark red brown, very beautifull for glazings.

A deep cool blue black.

It's a good glazing colour.

A reddish brown more Opaque and intense than the burnt umber

It's a strong neutral black.

It's a good glazing colour with a beautifull orangey yellow hue.

A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.

This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet.  So Isaro pink is perfect to paint flowers. It's also a good glazing colour. 

A deep violet with a touch of red

It's a deep brownish green.

This blue is a mixture of 3 pigments. Very useful for painting marine

A deep and intense blue with a touch of red.

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

A rich and earthy burnt orange.

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

A beautifull an luminous blue.

The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".

So this blue is very usefull to paint lanscape.