Zinc White

PW4 – Semi-transparent

Zinc white is a mineral pigment known for its transparency, delicacy, and subtle coolness. Less opaque than titanium white, it allows for gentle layering and luminous blends without overpowering other colors. It is ideal for glazing, soft light effects, and delicate skin tones.

Very slow-drying, it accepts the addition of drying agents, but also allows for extended working time on a canvas over several weeks. withe. It's excellent for mixtures and glazes

Yellow Ochre

PY42 – Semi-opaque

Yellow ochre is a natural mineral pigment, soft and warm, appreciated for its stability and understated elegance.
With its earthy yellow tone, it’s perfect for landscapes, skin tones, backgrounds, and classical compositions.
It offers excellent lightfastness and balanced coverage, and can be used both pure and in mixtures.
Yellow ochre brings soft, natural tones to the palette—ideal for creating harmonious and timeless color ranges.

Van Dyck Brown

PR101 + PBk11 – Opaque

Van Dyck Brown is a deep, dark brown made from a blend of iron oxide red (PR101) and iron oxide black (PBk11). It captures the richness of the historical browns used by the Flemish masters. Ideal for shadows, dark backgrounds, fabrics, or dramatic compositions, it offers excellent stability and strong intensity.

It blends harmoniously with ochres, blues, and reds to create subtle, nuanced effects. A must-have on any traditional palette.nse cold brown with a violet shade.

Ultramarine Blue

PB29 – Semi-opaque

Ultramarine blue is a deep and intense pigment with a slight violet undertone. It is ideal both for glazing and for creating subtle blends.
Its rich chromatic depth makes it an expressive and vibrant blue. When combined with Isaro Pink (PR122), it produces a beautiful range of luminous mauves, perfect for floral compositions.
A must-have on any palette, ultramarine blue combines depth, lightness, and intensity.

Transparent Mars Red

PR101 – Transparent

Transparent Mars Red is a synthetic iron oxide with a warm, intense, and deep red-brown hue.
Its transparency makes it ideal for glazing, colored shadows, rich skin tones, or vibrant backgrounds.
Highly lightfast, non-toxic, and with strong tinting strength, it allows for nuanced layering and subtle blends with blues, greens, or ochres.
A versatile color, it is prized by artists seeking warmth and transparency without overwhelming opacity.

Titanium White

PW6 – Opaque

Titanium white is today the most widely used white in oil painting. With exceptional opacity and very high covering power, it provides a pure, cool, and brilliant white. It is ideal for creating luminous mixtures, sharp highlights, or strong light effects.

Its creamy texture allows for easy application in both impasto and thin layers. Lightfast, stable over time, and non-toxic, titanium white is an essential part of the modern palette. However, due to its strength, it can overpower delicate colors; it is often blended with zinc white for more subtle handling. very pure cool soft white. It's highly regarded by artists.

Sepia

PR101 + PBk11 + PBr7 – Opaque

Sepia is a warm, deep, and elegant brown, inspired by natural cuttlefish ink. This oil version, made from a blend of iron oxide red (PR101), iron oxide black (PBk11), and natural earth (PBr7), offers a rich hue with warm undertones.

Ideal for sketching, backgrounds, moody landscapes, or chiaroscuro portraits, sepia stands out for its smooth handling, excellent lightfastness, and its ability to create soft, muted, and timeless atmospheres

Sap green

PG7 + PBr7 – Semi-opaque

Sap green is a blend of phthalo green and raw sienna. It offers an earthy, slightly browned green reminiscent of dense forests and shaded foliage. Its natural tone makes it an excellent choice for vegetative shadows and woodland landscapes.

Easy to adjust with yellows for brighter greens or blues for cooler tones, it fits harmoniously into any landscape palette. Perfect for nuanced and realistic painting.ul in producing glazes when diluted.

Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Red Ochre

PR102 – Semi-opaque

Red ochre is a natural, earthy pigment—warm and deep—used since Antiquity. With its nuanced orange-red hue, it brings strength, softness, and warmth to compositions. Covering, lightfast, and non-toxic, it is ideal for landscapes, warm skin tones, or rich backgrounds. It pairs beautifully with other ochres, greens, and blues to create natural, balanced harmonies. A true essential on any classical palette.

Raw Umber

PBr7 – Semi-opaque

Raw umber is a traditional earthy pigment with a deep brown tone and a slight greenish cast. Very stable, non-toxic, and with good covering power, it is ideal for soft shadows, underpainting, landscapes, and textured effects.

Its low saturation allows for subtle color modulation without overpowering mixes. It blends easily with blues, reds, or ochres to create natural, balanced tones. An essential for creating calm, harmonious compositions.

Raw Sienna

PBr7 – Semi-opaque

Raw sienna is a classic mineral pigment with warm, soft, earthy tones. Its luminous yellowish-brown hue makes it ideal for skin tones, landscapes, and underpainting. Stable, non-toxic, and with good drying power, it dries quickly—perfect for sketches or compositional bases. It blends harmoniously with blues, greens, and reds to create natural, balanced mixes. A discreet yet essential staple on any painter’s palette. is darker than yellow ochre but has the same undertone.
This natural earth produces outstanding transparency effect.

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Prussian Blue

PB27 – Transparent

Deep, intense, and slightly greenish, Prussian Blue is a historic pigment prized for its exceptional tinting strength and high transparency. It allows the creation of bluish blacks and a sumptuous range of greens. Its transparency makes it an excellent choice for glazing.
This blue is highly siccative and accelerates the drying time of the colors it is mixed with.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

Phthalo Green

PG7 – Transparent

Phthalo green is a powerful, deep, and cool organic pigment with remarkable intensity.

Transparent and highly tinting, it is ideal for glazing, vivid blends, and luminous effects. When combined with phthalo blue (PB15:3), it produces brilliant turquoise tones, perfect for seascapes or exotic compositions. Extremely lightfast and non-toxic, phthalo green is an essential on any modern palette.id and strong bluish greens a good staple green to produce a large range of greens.

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

Payne’s Grey

PBk11 + PB29 – Opaque

Payne’s Grey is a subtle blend of iron oxide black and ultramarine blue, offering a rich and nuanced alternative to pure black. With its deep, slightly cool blue-grey tone, it is ideal for colored shadows, stormy skies, nocturnal atmospheres, or muted portrait tones.

More vibrant than a standard black, it retains a touch of transparency and blends harmoniously with other colors. An essential for a well-balanced and expressive palette.

Orange Tangerine

PO36 – Transparent

Orange Tangerine is a benzimidazolone pigment, an intense, vivid, and luminous synthetic organic pigment. It offers a warm, vibrant hue that sits between pure orange and vermilion red. Its excellent lightfastness and high saturation make it an ideal choice for bold and radiant compositions.

Perfect for evoking autumn foliage, late afternoon light, or luminous highlights within a painting, it blends beautifully with reds, yellows, and certain blues to create rich, nuanced tones.

Its adjustable transparency and strong chromatic intensity make it a favorite among artists seeking a modern, powerful, and non-toxic orange.azingIt is a beautiful orange, useful for glazing.

It gains opacity when mixed with Titanium White. 

Mars Brown

PR101 – Opaque

Mars brown is a synthetic iron oxide pigment offering a deep, dense, and highly saturated reddish-brown hue. It stands out for its excellent covering power, lightfastness, and non-toxicity.
More intense and purer than natural earth pigments, it allows for warm shadows and rich mixtures with blues, greens, or ochres. A strong, modern, and reliable brown.

Mars black

PBk11 – Opaque

Iron oxide black is a deep, neutral natural pigment. Highly covering, lightfast, and non-toxic, it is valued for its softness and predictable behavior in mixtures. Less warm than ivory black, it produces more natural shadows, making it ideal for portraits and subtle backgrounds.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

Ivory Black

PBk9 – Semi-opaque

Ivory black is a classic, deep, and slightly warm pigment, traditionally obtained by the calcination of bone. Highly covering, lightfast, and gentle in mixtures, it is ideal for shadows, deep backgrounds, and strong contrasts. Its smooth texture and neutral-to-warm tone make it a versatile black, appreciated in both portrait and landscape painting.

Easy to modulate with warm or cool colors, it remains a staple of traditional palettes.

TIsaro rose

PR122 – Transparent

Isaro Pink, made from the quinacridone pigment PR122, is a luminous, intense, and transparent hue, highly valued for its purity and refined chromatic subtlety. A vivid pink with slightly violet undertones, it offers excellent lightfastness and remarkable long-term stability.

Thanks to its transparency and brilliance, this pink is ideal for glazing and subtle color blending. When combined with blues such as cobalt blue, ultramarine, or phthalo blue, it produces a beautiful range of mauves and violets—either vibrant or delicate—perfect for rendering flowers or colorful shadows.

Versatile and elegant, Isaro Pink PR122 is an essential choice for artists seeking poetic and vibrant tones.

Isaro Mauve

PV19 – Transparent

Isaro Mauve is a quinacridone PV19 pigment, appreciated for its transparency, purity, and subtle chromatic nuances. This modern organic pigment offers a rich mauve tone, situated between pink and violet.

Highly versatile, it is well suited for glazing as well as refined mixtures. When combined with deep blues, its violet character is enhanced; mixed with white, it reveals soft, luminous lavender tones. It is perfect for depicting flowers, colorful shadows, or late-afternoon atmospheres.

It offers excellent lightfastness and strong tinting strength.ep violet with a touch of red

Isaro green deep

PG7 + PBr7 – Semi-transparent

Isaro Dark Green is a deep, intense green obtained by combining phthalo green (PG7) with a natural earth pigment (PBr7). Similar to Hooker’s Green, it blends the strong tinting strength and transparency of PG7 with the earthy warmth of umber. The result is a dark, balanced green, ideal for dense foliage, shaded landscapes, or deep backgrounds.

Easy to modulate, it mixes beautifully with yellows for brighter greens, or with blues and browns for subtle, natural effects. A versatile, expressive green—especially valuable in landscape painting.

Indigo Blue

PBr7 + PB29 + PB15:3 – Semi-opaque

Indigo blue is a deep hue with subtle greenish undertones, created from a blend of burnt umber, ultramarine blue, and phthalo blue. Dark and intense, it evokes stormy seas and dramatic skies. Ideal for seascapes, nocturnal landscapes, or colored shadows, it lends itself to rich and expressive mixtures. Its beautiful depth and semi-transparency make it a versatile, powerful, and evocative blue.

Indanthrene blue

PB60 – Transparent

Indanthrene blue is a deep blue with slightly violet undertones.

Highly valued for its dark richness and transparency, it is ideal for glazing, deep shadows, and nocturnal atmospheres. With excellent lightfastness, it blends beautifully with reds to create intense violets, or with greens for subtle cool tones. It is a powerful and essential blue for enriching a contemporary palette. touch of red.

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

English Red

PR101 – Opaque

English Red is a synthetic iron oxide pigment, deep and warm, with a reddish-brown undertone. Highly opaque, stable, and lightfast, it offers a matte texture ideal for backgrounds, skin tones (when combined with Old Yellow), and warm-toned landscapes. Its earthy richness allows it to blend harmoniously with ochres, greens, or blues, bringing balance and subtlety to compositions.y burnt orange.

Emerald Gmerald Green (or Viridian Green)

PG18 – Semi-opaque

Emerald green, also known as viridian green, is a transparent mineral pigment with a cool, deep, slightly bluish hue. Highly valued for its chromatic subtlety and excellent lightfastness, it is ideal for landscapes, bright foliage, colored shadows, and glazing. Its transparency allows for delicate layering and rich mixtures, especially with blues or reds to create nuanced greys or transparent blacks.

An elegant, classic, and refined green.sparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

Dioxazine mauve

PV23 – Transparent

Dioxazine mauve has a powerful color, highly valued for its intensity and rich chromatic depth. This cool, dark, and saturated violet with bluish undertones offers excellent transparency while maintaining a very high tinting strength.

When mixed, it produces a wide range of violets, colored greys, or deep chromatic blacks, especially when combined with reds or blues. It also excels in glazing, where its transparency and depth bring a unique dimension to layered applications.

Highly lightfast, PV23 is a modern synthetic organic pigment that has earned a place on the artist’s palette for its versatility, strength, and distinctive beauty.

Deep Blue

PW4 + PB28 + PB15 – Semi-opaque

Deep Blue is a harmonious blend of pigments, designed to capture the beauty of cobalt blue while offering a more accessible alternative.

Combining the softness of PB28 with the depth of PB15 and the brightness of zinc white (PW4), it results in a luminous, well-balanced blue. Ideal for skies and floral compositions, it blends easily to create subtle and refined shades.

Cobalt Violet

PV14 – Semi-Opaque

This genuine dark cobalt violet is a rare and precious mineral pigment, valued for its exceptional lightfastness and subtle chromatic character. A bluish violet with gentle nuances, it offers soft opacity and a smooth, buttery texture—ideal for nuanced blends, colored shadows, and muted atmospheres.

Made through a complex process using cobalt phosphate, this pigment requires time-consuming production, costly raw materials, and expert craftsmanship. Its rarity, combined with its unique artistic qualities, justifies its high price. Inalterable and refined, PV14 is a pigment of choice for discerning artists seeking an authentic and timeless color.

Cobalt blue

PB28 - Semi opaque

It is the bluest of blues.
Genuine cobalt blue is a classic mineral pigment, known for its vibrant tone, valued for its softness, luminosity, and excellent lightfastness. With its pure blue hue and moderate opacity, it lends itself equally well to subtle mixes and delicate glazing. Ideal for skies, light shadows, and cool skin tones, it creates beautiful soft violets when combined with Isaro Pink or deep pyrrole red. A must-have on the palette for balanced and refined harmonies. bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

Chromium Oxide Green

PG17 – Opaque

Chromium oxide green is a dense and stable mineral pigment with an earthy mid-green tone. Highly covering, with strong tinting strength, non-toxic, and exceptionally lightfast, it is ideal for landscapes, foliage, muted backgrounds, and cool skin tones.
Its natural, low-saturation hue makes it a balanced green, easy to harmonize with browns, reds, and yellows.