Pinkish Beige – Subtlety and Radiance of Skin

PW6 + PR264 + PY42 – Opaque – Non-granulating

Pinkish beige is a delicate and subtle hue that combines the warmth of beige with a hint of pink, offering a soft and natural color. Ideal for skin tones in watercolor, it allows for finely rendered variations, from fair complexions to deeper shadows, by blending it with other pigments.

Powdery Beige – The Elegance of Softness

PW6 + PR122 + PY42 – Opaque – Non-granulating

Powdery Beige is a delicate and subtle shade, perfect for adding softness and luminosity to watercolor works. Crafted from a refined blend of pigments, it offers a warm, slightly rosy hue, making it ideal for skin tones.

In watercolor, this shade is particularly valuable for portrait painting, allowing for smooth and refined skin tone transitions. Combined with a touch of Burnt Sienna or Isaro Rose, it enhances complexions with natural depth and delicacy.

Coral Rose – The Harmony of Floral Compositions

PW6 + P073 + PV19 – Opaque – Non-granulating

Coral Rose is a vibrant and warm shade that lies between pink and orange, evoking the glow of sunsets and the delicacy of tropical flowers. This luminous pigment brings a touch of freshness and energy to artworks while remaining soft and harmonious.ry discreet and interesting pink especially to bring softness to certain floral compositions.

Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Beverly Pink – An Exceptional Pearlescent Pink

PR122 + Pearlescent – Semi-transparent – Non-granulating

Beverly rose is a luminous and refined shade that combines the delicacy of pink with a subtle pearlescent glow. Its transparent texture and slight iridescence make it an ideal choice for adding softness and brilliance to floral compositions, twilight skies, or pearly effects in portraits.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Austral Pink – A Radiant Twilight Glow

PR122 + PB29 + Pearlescent – Transparent – Granulating

Austral rose is a captivating shade that captures light beautifully with its pearlescent effect. Its luminous brilliance and subtle pink-mauve hue make it an ideal color for adding brightness and depth to unique compositions. In watercolor, this vibrant pink stands out for its ability to create original blends.

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Powder Pink – Softness and Elegance

PR122 + PW6:1 – Opaque – Non-granulating

Powder Pink is a delicate and refined shade, perfect for adding a touch of softness and subtlety to watercolor compositions. Inspired by the pastel hues of flower petals or the velvety feel of antique fabric, this slightly muted pink is ideal for romantic atmospheres and gentle light effects.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

 Isaro Pink – Dynamism and Brightness

PR122 - Transparent - Non-granulating

Isaro Pink is a vibrant and essential shade, perfect for bringing freshness and delicacy to watercolor compositions. This pigment captivates with its transparency and beautiful luminosity, allowing for harmonious gradients and captivating light effects.mixtures and in particular to compose, with the blues, a large number of mauves.

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Rose d’Outremer – Softness Under the Brush

PR259 - Semi-transparent - Granular

The Rose d'Outremer is a very soft and subtly textured hue that captivates with its gentleness. This pigment, a rose with slightly violet undertones, offers a rich chromatic quality, making it ideal for floral compositions.k especially to bring softness to certain floral compositions.

Orange Tangerine

PO36 – Transparent

Orange Tangerine is a benzimidazolone pigment, an intense, vivid, and luminous synthetic organic pigment. It offers a warm, vibrant hue that sits between pure orange and vermilion red. Its excellent lightfastness and high saturation make it an ideal choice for bold and radiant compositions.

Perfect for evoking autumn foliage, late afternoon light, or luminous highlights within a painting, it blends beautifully with reds, yellows, and certain blues to create rich, nuanced tones.

Its adjustable transparency and strong chromatic intensity make it a favorite among artists seeking a modern, powerful, and non-toxic orange.azingIt is a beautiful orange, useful for glazing.

It gains opacity when mixed with Titanium White. 

Cadmium Orange

PO20 – Opaque

This is a warm, vibrant shade with beautiful tonal purity. Thanks to its rich pigmentation and exceptional brightness, this color brings depth and energy to your palette. Ideal for glazing or flat applications, this orange offers perfect opacity and outstanding long-term stability.

When mixed with titanium white, it reveals soft, warm nuances while maintaining its intensity.  This orange is very bright with a vibrant and very pure undertone.

Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Glimmer Green – A Sparkling Grayish Green

PB29 + PG7 + PR170 + Perlescent – Transparent – Non-granular

Glimmer Green is a vibrant and luminous hue that captures light through its subtle pearlescent effect. Inspired by the iridescent reflections of nature, this radiant green adds a touch of freshness and dynamism to watercolor compositions.

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

Turquoise Green – Aquatic Escape

PG7 + PG15:1 – Transparent – Non-granular

Turquoise Green is a vibrant and luminous hue, evoking crystal-clear waters and exotic landscapes. Its balance between blue and green makes it a perfect pigment for depicting tropical lagoons, vibrant foliage, or dawn skies with subtle nuances.een, this turquoise is nuanced at will with blue or green.

TIsaro rose

PR122 – Transparent

Isaro Pink, made from the quinacridone pigment PR122, is a luminous, intense, and transparent hue, highly valued for its purity and refined chromatic subtlety. A vivid pink with slightly violet undertones, it offers excellent lightfastness and remarkable long-term stability.

Thanks to its transparency and brilliance, this pink is ideal for glazing and subtle color blending. When combined with blues such as cobalt blue, ultramarine, or phthalo blue, it produces a beautiful range of mauves and violets—either vibrant or delicate—perfect for rendering flowers or colorful shadows.

Versatile and elegant, Isaro Pink PR122 is an essential choice for artists seeking poetic and vibrant tones.

Isaro green light – A Touch of Freshness

PG36 + PY35 + PY42 – Semi-transparent – Non-granular

Isaro green light is a bright and radiant hue that evokes the freshness of spring and the softness of young foliage. Its vibrant intensity makes it an ideal pigment to bring liveliness to landscape and floral compositions. 

Phthalo Green – A Versatile Green

PG7 – Transparent – Non-granular

Phthalo Green is an essential pigment in watercolor, valued for its vibrant intensity, transparency, and exceptional staining power. This cool green with subtle bluish undertones offers remarkable depth, making it perfect for capturing the richness of lush foliage, tropical landscapes, and emerald waters.ed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.

Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.

Emerald Green – The Mineral Brilliance

PG18 – Semi-transparent – Granular

Emerald Green is a brilliant and mineral hue, prized for its softness and granulation. Derived from the hydrated chromium oxide pigment, it offers exceptional stability and excellent lightfastness.

Chrome Oxide Green – A Mineral and Earthy Green

PG17 - Opaque - Non-granulating

Chromium  oxide green is a mineral pigment valued for its stability and subtle tone, making it ideal for landscapes and natural subjects. With a deep, slightly neutral green hue, it fits seamlessly into the palettes of watercolor artists seeking balanced and realistic shades.mono pigment.

Phthalo Green Yellow Shade – A Burst of Freshness

PG36 – Transparent – Non-granulating

Phthalo Green Yellow Shade is a vibrant and luminous hue, perfect for adding freshness and intensity to your compositions. With exceptional transparency and remarkable tinting strength, this pigment offers a wide range of shades, from brilliant greens to more natural tones when mixed.

Sap Sap Green – A Classic and Natural Green

PG36 + PY139 - Transparent - Non-granulating

This deep yellow-green, with its luminous transparency, is prized for its ability to create subtle botanical shades. Ideal for delicate foliage, moss, and pastoral landscapes, it blends seamlessly into washes and mixes beautifully with other pigments.

Perylene Green - The Dark Elegance

PBk31 - Transparent - Non-granulating

Perylene green is a unique and versatile pigment that brings rich depth and subtle intensity to watercolor works. Originating from the organic pigment family, this dark, earthy green has an almost black hue with greenish undertones, making it ideal for wooded landscapes, deep shadows, and atmospheric scenes. Thanks to its composition, it offers excellent stability and remarkable permanence.

The Nordman Green – A Unique Green

PG7 + PV16 - Semi-transparent - Granular

Nordman Green is an excellent choice for painting landscapes, forests, and foliage, adding natural richness and extra dimension to vegetal scenes thanks to the textured nuances it creates. It is also ideal for creating cool shadows and subtle shades in nature works or floral compositions. Its deep and balanced tone makes it particularly suited for winter scenes or muted atmospheres, but it can also be used in mixes to create more vibrant greens.y green color.

Red Ochre

PR102 – Semi-opaque

Red ochre is a natural, earthy pigment—warm and deep—used since Antiquity. With its nuanced orange-red hue, it brings strength, softness, and warmth to compositions. Covering, lightfast, and non-toxic, it is ideal for landscapes, warm skin tones, or rich backgrounds. It pairs beautifully with other ochres, greens, and blues to create natural, balanced harmonies. A true essential on any classical palette.

English Red

PR101 – Opaque

English Red is a synthetic iron oxide pigment, deep and warm, with a reddish-brown undertone. Highly opaque, stable, and lightfast, it offers a matte texture ideal for backgrounds, skin tones (when combined with Old Yellow), and warm-toned landscapes. Its earthy richness allows it to blend harmoniously with ochres, greens, or blues, bringing balance and subtlety to compositions.y burnt orange.