Very beautiful yellow, earthy and bright. Very useful on the palette.
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This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Very beautiful earthy green and mono pigment.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Warm and bright yellow, very beautiful in wash for example.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Vert Sapin
PG36 + PY165
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Bright yellow with great purity of tone.
You can add light Isaro yellow to a range of Indian yellow.
Magnificent bright green with an underlying shade of yellow.
Rose navré et légèrement orange
Rose légèrement nacréÂ