Shaded Beige – For Softly Shadowing Light Skin Tones

PW6 + PY42 + PR264 + PBk31 – Opaque – Non-granulating

Shaded Beige is a soft and nuanced color, striking a perfect balance between warmth and neutrality. Composed of earthy pigments, it offers great versatility in watercolor, especially for painting skin tones and delicate shadows.

Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Pearly Rose deep – Pearlescent Elegance

PR170 + Perlescent – Semi-transparent – Non-granular

The Dark Pearlescent Rose is a sophisticated hue that combines the intensity of a deep rose with a subtle shine thanks to its pearlescent finish. Its luminous effect adds a precious touch to floral compositions, twilight skies, or refined details.

Gold – For Precious Details

Perlescent – Transparent – Non-granular

Gold is a luxurious hue that captures light and adds a touch of refinement to compositions. Its metallic shine and subtle brilliance make it an ideal pigment to illuminate intricate details.olor, to be used for certain highlights.

Tropical Dream – A Colorful Escape

PB29 + PG7 + Perlescent – Transparent – Non-granular

Tropical Dream is a pearlescent and exotic hue that evokes lush landscapes and the vibrant sunsets of distant islands. With its touch of exoticism and versatility, Tropical Dream brings a radiant energy to your watercolor compositions. 

Mindy Green – A Hint of Gold

PG7 + PY110 + Perlescent – Transparent – Non-granular

Mindy Green is a unique hue that combines the freshness of green with a subtle touch of golden light. Its slightly velvety character makes it an ideal color for spring landscapes, delicate foliage, or original backgrounds.

Peridot Green – The Light of a Precious Gem

PG36 + PY154 + Pearlescent – Transparent – Slightly Granulating

Peridot Green is a radiant and luminous color, inspired by the precious gemstone of the same name. This light green, with golden-yellow and green reflections revealed by peridot, also known as olivine, boasts a warm and vibrant hue that evokes sunlit foliage or the first spring shoots of enchanting landscapes.

Burnt Sienna

PBr7 – Semi-opaque

Burnt sienna is a natural pigment with warm, deep tones, obtained by calcining raw sienna.

With its rich reddish-brown hue, it brings warmth, balance, and strength to compositions. Highly stable, non-toxic, and with good covering power, it is ideal for shadows, dark skin tones, landscapes, and warm backgrounds. It blends harmoniously with blues, greens, and ochres. A timeless classic on every painter’s palette.deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Raw Sienna

PBr7 – Semi-opaque

Raw sienna is a classic mineral pigment with warm, soft, earthy tones. Its luminous yellowish-brown hue makes it ideal for skin tones, landscapes, and underpainting. Stable, non-toxic, and with good drying power, it dries quickly—perfect for sketches or compositional bases. It blends harmoniously with blues, greens, and reds to create natural, balanced mixes. A discreet yet essential staple on any painter’s palette. is darker than yellow ochre but has the same undertone.
This natural earth produces outstanding transparency effect.

Raw Umber

PBr7 – Semi-opaque

Raw umber is a traditional earthy pigment with a deep brown tone and a slight greenish cast. Very stable, non-toxic, and with good covering power, it is ideal for soft shadows, underpainting, landscapes, and textured effects.

Its low saturation allows for subtle color modulation without overpowering mixes. It blends easily with blues, reds, or ochres to create natural, balanced tones. An essential for creating calm, harmonious compositions.

Burnt Umber

PBr7 – Semi-opaque

Burnt umber is a natural pigment with deep brown tones enriched by a warm, slightly reddish hue. Highly covering, lightfast, and non-toxic, it is ideal for shadows, dark backgrounds, landscapes, and warm skin tones.
It has good drying power, making it an excellent choice for underpainting or quick sketching. It blends harmoniously with blues, greens, and reds to create natural and balanced mixtures.

Icy Lake - The Essence of Winter

PBr7 + PB29 + Pearlescent

Icy Lake is a captivating and delicate shade that evokes the tranquility and purity of snow-covered landscapes. This pigment, with its dark blue hue and silver reflections, is perfect for capturing the serenity of frozen waters and winter night skies. Its subtle granulation allows for textured washes and delicate gradients, bringing a calm, wintry atmosphere to your artworks.

Apatite Blue - A Unique Hue

PB27 + Pearlescent - Transparent - Granulating

Apatite Blue is a vibrant and unique color, perfect for watercolorists seeking a fresh, original, and iridescent hue. This slightly greenish blue is inspired by the subtle tones of the gemstone of the same name, evoking seascapes or enchanting scenes. Its excellent transparency allows for bold washes. 

Eternal Summit - The Essence of Mountain Landscapes

PW4 + PB36 + Pearlescent - Semi-transparent - Non-granulating

Eternal Summit is a shade that evokes the grandeur of majestic mountains and the serenity of snow-covered landscapes. This light and luminous pigment stands out for its ability to capture light while adding a touch of freshness and calm to your artworks. With its pearlescent finish, Eternal Summit is perfect for depicting immaculate skies as well as mountain landscapes. When mixed, it allows for subtle gradients and unique atmospheric effects. base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.

Mars Brown

PR101 – Opaque

Mars brown is a synthetic iron oxide pigment offering a deep, dense, and highly saturated reddish-brown hue. It stands out for its excellent covering power, lightfastness, and non-toxicity.
More intense and purer than natural earth pigments, it allows for warm shadows and rich mixtures with blues, greens, or ochres. A strong, modern, and reliable brown.

Van Dyck Brown

PR101 + PBk11 – Opaque

Van Dyck Brown is a deep, dark brown made from a blend of iron oxide red (PR101) and iron oxide black (PBk11). It captures the richness of the historical browns used by the Flemish masters. Ideal for shadows, dark backgrounds, fabrics, or dramatic compositions, it offers excellent stability and strong intensity.

It blends harmoniously with ochres, blues, and reds to create subtle, nuanced effects. A must-have on any traditional palette.nse cold brown with a violet shade.

Sepia

PR101 + PBk11 + PBr7 – Opaque

Sepia is a warm, deep, and elegant brown, inspired by natural cuttlefish ink. This oil version, made from a blend of iron oxide red (PR101), iron oxide black (PBk11), and natural earth (PBr7), offers a rich hue with warm undertones.

Ideal for sketching, backgrounds, moody landscapes, or chiaroscuro portraits, sepia stands out for its smooth handling, excellent lightfastness, and its ability to create soft, muted, and timeless atmospheres

The base of this color is aSilver Sky - Tin Grey

PR101 + Pearlescent - Semi-transparent - Non-Granulating

Silver Sky is a unique, subtly pearlescent shade that evokes the glow of a cloudy sky illuminated by silver reflections. Perfect for adding a touch of mystery and soft light to your watercolors, this pearlescent pigment is especially valued for its soft, iridescent effects. silver gray.

Ametrine is Ametrine Violet - A Precious Purple

PV16 + PR122 + Perlescent - Transparent - Granulating

Ametrine violet is a unique and fascinating color that takes its name from the precious gemstone. The stone, a natural blend of amethyst (purple) and citrine (yellow), is known for its rich hues of violet and lavender. This hue, made from mixtures of pink and mauve, is combined with a pearlescent pigment to replicate the reflections of the stone.

Imperial Moon - An Ethereal and Shimmering Hue

PR101 + PV16 + Golden Pearlescent

Imperial Moon is a unique shade that captures the magic of singular reflections. This pearlescent hue, delicately accented with golden tones and dominated by an earthy mauve, adds a subtle and elegant touch to your illustrations.ve shade dotted with copper highlights.

 Mars Brown light - A Versatile Brown

PR101 - Opaque - Non-granulating

Mars Brown Light is a rich, earthy hue, highly valued in painting for its versatility and ability to create natural, deep tones. Derived from iron oxide, this pigment offers a warm color and is extremely stable. For watercolor artists seeking uniform washes, Mars Brown may be preferred over natural earth pigments. 

Coppery Red - Copper Effect

PR101 + Perlescent

Copper red provides a warm, metallic hue, perfect for adding depth and shine to artworks while creating copper-like effects.

Agate Red - An original red

PR264 + PR122 + Pearlescent - Transparent - Slightly Granular

Agate red offers a rich and pearlescent hue, perfect for festive and original shades.

Indian Yellow - A Historic Hue

PY154 + PO73 - Transparent - Non-granulating

Indian Yellow, with its warm and luminous tone, is a transparent and versatile color, perfect for adding brilliance and depth to your watercolor paintings.arm and bright yellow, very beautiful in wash for example.

Isaro yellow deep– A Warm Hue

PY154 + PO73 - Opaque - Non-granulating

Isaro Dark Yellow is a bright, orange-tinged yellow. This warm yellow is perfect for capturing the richness of sunsets and autumn foliage.an add light Isaro yellow to a range of Indian yellow.

Cadmium Yellow Deep: The Golden Glow

PY35 - Opaque - Non-granulating

Cadmium yellow deep is a vibrant and intense color, offering deep golden hues.

Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. 

Saffron Yellow – The Golden Glow

PY110 - Transparent - Non-granulating

Saffron Yellow is a bright and warm hue, offering an intense and brilliant golden color, perfect for adding a touch of light and warmth to your artwork. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Cadmium Yellow Light: A Vibrant Hue

PY35 – Opaque – Non-Granulating

Cadmium yellow light, bright and intense, is a brilliant pigment with exceptional permanence, perfect for bringing light to your watercolors with vibrant mixes. purity of tone.

Cadmium Yellow Lemon: Pure Brightness

PY35 – Opaque – Non-Granulating

Cadmium yellow lemon is a vibrant and intense pigment, ideal for creating luminous mixes.
It offers excellent opacity and outstanding lightfastness.

Its slightly cool tone makes it the perfect choice for capturing sunlight and light foliage.llow with underlying shade of green, very bright and bright yellow.

Isaro yellow light - Primary Yellow

PY154 - Transparent - Non-granulating

Isaro yellow light is a delicately luminous hue, perfect for capturing the softness of spring light, vibrant flowers, and sunlit skies, all while offering unparalleled transparency and subtlety.

A must-have on your palette. Darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.