Very beautiful blue with a shade having an underlying green tone. Very bright and frank.

With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.

With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.

This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.

Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

This natural iron oxide is a fine rather cold brown with a greenish undertone.

Close shade of natural indigo.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This vivid and strong bluish greens a good staple green to produce a large range of greens.

Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.

It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.

Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

A reddish brown more Opaque and intense than the burnt umber

A intense cold brown with a violet shade.

It's a strong neutral black.

A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.

Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.

Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.

Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.

Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.

This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.

Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.

Very beautiful dark red tending to burgundy.

This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.

I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.

This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

Very beautiful red, lively and bright with an underlying note colder than Scarlett red.

One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.

This red has a great purity of tone. It draws very slightly on the yellow.

Earthy orange but nevertheless bright.

Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.

Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.