This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
Beautiful subtle very light gray for light shadows and drapes.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
Very interesting Color to create "pastel" touch by mixing with other colors.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Magnificent bright green with an underlying shade of yellow.
Golden color, to be used for certain highlights.
Very beautiful brick red, with an underlying shade of orange-yellow.
Vert Sapin
PG36 + PY165
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Turquoise légèrement irisé
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
You can add light Isaro yellow to a range of Indian yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright yellow with great purity of tone.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
Earthy orange but nevertheless bright.
Warm and bright yellow, very beautiful in wash for example.
A very soft, slightly pastel yellow.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
