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WATERCOLOURS

WATERCOLOURS

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€3.95

Very beautiful brick red, with an underlying shade of orange-yellow.

€3.95

Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.

€3.95

Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.

€5.30

Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.

€5.30

Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.

€5.30

This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.

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€5.30

Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.

€6.55

Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.

With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.

In my opinion, it is one of the very useful colors on a palette.

€6.55

Very beautiful blue with a shade having an underlying green tone. Very bright and frank.

With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.

€6.55

Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.

€6.95

One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.

€6.95

Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.

€6.95

Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.

€6.95

This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.

I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.

€6.95

Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.

€6.95

This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

€6.95

Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.

€6.95

Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

€6.95

This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

€6.95

Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.

€6.95

Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

€6.95

Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.