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Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
