Pinkish yellow, very close to Naples yellow. 

Perfect for skin tones.

It's a very pure cool soft white. It's highly regarded by artists.

This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet.  So Isaro pink is perfect to paint flowers. It's also a good glazing colour. 

It's a basic earthy yellow, ideal for glazes but covers well.

This violet is the mixture of three pigments to created a unique shade of violet

A splendid blue with a rich purple blue undertone.

Pinkish yellow, very close to Naples yellow.  Perfect for skin tones.

A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.

This splendid greenish blue is used to create very beautiful  range of greens.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.

A deep violet with a touch of red

A deep cool blue black.

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".

So this blue is very usefull to paint lanscape.

It's a cool transparency withe. It's excellent for mixtures and glazes

This pure and luminous bright red has a high tint power.
Cadmium red is obtained  by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with  organic reds.

This blue is a mixture of 3 pigments. Very useful for painting marine

A rich and earthy burnt orange

This natural iron oxide is a fine rather cold brown with a greenish undertone.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds

This is  a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium,  bright, very luminous and  an ultra-pure colour.

This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.

A intense cold brown with a violet shade.

It's a deep brownish green.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

A dark red brown, very beautifull for glazings.

This vivid and strong bluish greens a good staple green to produce a large range of greens.

A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.

It's a strong neutral black.

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.